Analytical Chapter on Alabama Shakes’s Gimme All Your Love (Forthcoming) 
Co-Authors: Bláithín Duggan, Sam Flynn, Daniel Scholz, Eva Schuck.
Volume on Methods of Popular Music Analysis: Ralf von Appen, Dietrich Helms, André Doehring, Eds. (Ashgate Publishing)

Effects of Metrical Encoding on Melody Recognition (2014)
Co-Authors: Peter Q. Pfordresher, David Temperley
Music Perception Vol. 31, No. 4

Professional Conference Presentations

Computational Modeling of Chord Progressions in Popular Music

  • The 14th International Conference on Music Perception and Cognition – Short Paper (San Francisco, CA – 2016)

A Romantic Turn of Phrase: Listening Beyond Eighteenth-Century Schemata
(Co-authored with Andrew I. Aziz)

  • Society for Music Theory – Music Cognition Interest Group (Milwaukee, WI – 2014)
  • Selected but Unable to Attend: The 13th International Conference on Music Perception and Cognition (Yonsei University, Seoul, South Korea – 2014)
  • Eighth European Music Analysis Conference – Schemata Panel (KU Leuven, Belgium – 2014)

Does the Change of a Melody’s Meter Affect Tonal Pattern Perception?
(Co-authored with Peter Q. Pfordresher and David Temperley)

  • Behavior and Brain Sciences Symposium – Poster (University at Buffalo, SUNY; Buffalo, NY – 2012)
  • Northeast Music Cognition Group Meeting (Yale University, New Haven, CT – 2012)
  • 10th Annual Meeting: Music Theory Society of the Mid-Atlantic (University of Delaware, Newark, DE – 2012)
  • 16th Annual Midwest Graduate Music Consortium (Northwestern University, Evanston, IL – 2012)
  • 29th Annual Florida State University Music Theory Forum (Florida State University, Tallahassee, FL – 2012)
  • Society for Music Perception Conference – Poster (Eastman School of Music, Rochester, NY – 2011)

Segmentational Approaches of Atonal Music: A Study Based on a General Theory of Segmentation for Music Analysis

  • Seventh European Music Analysis Conference (Conservatorio di Santa Cecilia, Rome, Italy – 2011)
  • Ncounters: The Audible Past, the Mutable Future (University of Alberta, Edmonton, Canada – 2011)

Popular Music in American Psycho: Discovering Patrick Bateman’s True Persona

  • Midwest Popular Culture Association Conference (Detroit, MI – 2009)

Invited Presentations

Using Empirical Methods to Study Popular Music (2015)
Co-authored with Janet Bourne
Society for Music Theory – Popular Music Interest Group (St. Louis, MO)

Allen Forte Tribute Speaker (2015)
Society for Music Theory Annual Conference (St. Louis, MO)

Interdisciplinary Female Mentorship and Influence on Music Theorists (2015)
Keele Music Analysis Conference – Plenary Session: Women and Analysis (Keele University, Staffordshire, UK)

Current Research on the Impact of Gender and Race on Negotiation and Self-Advocacy (2014)
Society for Music Theory – Committee for the Status of Women Workshop on Self-Advocacy and Negotiation (Milwaukee, WI)

Does the Change of a Melody’s Meter Affect Tonal Pattern Perception? (2012)
Co-authored with Peter Q. Pfordresher and David Temperley
ESM/UR/Cornell Music Cognition Symposium (Eastman School of Music, Rochester, NY)